Book description:
When the past and the present collide…
Hailey Kent knows how she wants to spend the summer before her junior year in high school: hanging out at the pool with Jenna, her BFF; riding her new trail bike on Vermont’s country roads; and flirting with Jenna’s hot older brother, Cody.
Hailey’s plans are shattered when a post-graduation accident puts her brother into a coma. Feeling guilty for not stopping him from going out that night, she seeks solace in exploring an old house and its overgrown gardens.
A mysterious correlation of events propels her back in time to the Vietnam War era, where she realizes she can use her knowledge of one boy’s fate to save his life.
But first, Hailey needs to convince him of her sanity.
Hi,
Mia! Welcome to Zigzag Timeline. Can you tell us about your background as an
author? What got you into writing?
Hi, Mary, and thank you for having me
on Zigzag Timeline!
I guess the urge to write novels has
always been with me. I’m enthralled by a good writer’s ability to transport
readers to another time and place, and it’s a skill I’m constantly working to
acquire.
I’ve been writing novels for about
thirty years, starting in the early 1980s. Back then, I hand-wrote them on
whatever paper I could salvage, including the flip sides of form letters and
old telephone bills. That seems so archaic now, in the world of computers, but
I have reams of scribbled-on, mismatched sheets of paper to prove it!
In my other, more practical, life, I
write and edit articles about consumer issues related to food and nutrition, so
I guess I’m just addicted to wordsmithing.
"Correlation" tells the tale of a young American girl in 2013 who gets
sent back to 1968. Why did you choose this particular time jump to explore? Why
send a modern teenager back to the 1960s?
The 1960s were the years of my youth
and young adulthood, and they were incredibly tumultuous years politically and
socially. Women’s lib marches, the civil rights movement, and Vietnam war
protests all occurred during that period. My generation fought and died in
Vietnam, and it was a tragedy that changed our lives.
When I decided to write about a girl who
seeks to change history, I immediately thought of that war and the young men
who died in it. I wanted her to care about that and to attempt to save at least
one young man’s life.
Bicycles
are featured fairly prominently in "Correlation"
and serve an important role in the plot. Why bicycles?
I needed a means to send Hailey back
into the past, but I didn’t want it to simply be some invisible portal that she
mistakenly slipped through. A bicycle from that era seemed like a logical means
of transportation into the past (if there can be such a thing!). The bike gave
her freedom to travel in and out of the time period, as needed.
I
noticed that Hailey is an easy character to sympathize with, since her emotions
really come to life in the book. What was it like getting into her head?
Getting into her head was a challenge
for several reasons. First of all, I’m not a sixteen-year-old and haven’t been
for a long time! Secondly, I had to imagine what it would feel like to have a family
member hanging onto life by a thread after a tragic car accident since,
fortunately, I’ve never experienced it. The hardest part, however, was giving
authenticity to her reaction to the time-travel experience. How would the
average person respond to the notion that she may have just gone back in time
by forty-five years? How long would it take for her to recognize and accept it,
rather than assume she was losing her mind? It’s one thing to be okay with it
in a story. It’s another to try to come to terms with the possibility in your
own life!
What
are you hoping readers get out of reading your book?
I think the idea of attempting to
change history is a fascinating one—is it history if it’s been changed?—and I
hope that readers will be inspired to ask themselves relevant questions. If you
could change history, what might the unexpected ramifications be? How are
things in life intertwined, and if you were to change one thing, what else
might you affect? Are we victims of fate, or are we responsible for our own
outcomes? Is there value in lamenting past mistakes, or do we need to accept them
and move on because they can’t be changed?
What's
your favorite part of writing? Plotting? Describing scenes? Dialogue?
My favorite part is creating characters
with interesting personalities, especially people with whom I would like to hang
out or handsome men I’d like to know better. My favorite character in Correlation is Susan Wells. She’s known love and loss and then found
happiness, and she’s a survivor and a good, kind-hearted person who has the
wisdom of her years.
For me, one of the hardest things about
finishing a novel is knowing I won’t be spending time with its characters
anymore. It’s like having good friends move away and never hearing from them
again. I completely understand the lure of the sequel, because I also want to
know what happens next to my characters!
What’s
the most challenging aspect of writing, in your opinion?
My biggest challenge is killing my
darlings—giving up my favorite, super-clever, amazingly well-written phrases
and astoundingly creative passages that just plain don’t add to the story and
must be sacrificed for the good of the whole. To say I’m not a fan of the editing process
would be to put it mildly.
Why
did you choose to write a young adult novel? What is it about the genre that
appeals to you?
The young adult age group includes
readers who are old enough to ask the big questions about life but may not have
delved too deeply into them as yet. They are the ones who seek answers to how
and why things happen and are experiencing those “coming of age” moments that
define who they will be as adults.
Because I have had female young adult
readers in my family for the past ten or so years, and have another entering
that age group now, I’ve enjoyed first-hand their excitement over a book that
speaks to them. I want to write one of those books.
How
long does it take you to write a book? Do you have a writing process, or do you
wing it?
I only have time to write on weekends and a few evenings a
week, so writing a book usually takes several months. I may have a general idea
of where a story is going to go, but basically, I wing it and often don’t know
how the story will come out. I’m more likely to create characters and put them
into an interesting situation, then let them run with it.
That said, Correlation
was a novel that had more of a known outcome than most that I have written. For
that reason, it was actually harder for me to write, because I’m not usually
that structured.
Did you ever surprise
yourself when you were writing "Correlation"?
Characters who took on lives of their own? Plot elements that took unexpected
turns?
When I first described the old abandoned house, I had no
idea that the cabbage rose wallpaper would hold any significance to the outcome
of the story. It was just one of many random things remaining in the desecrated
rooms and had no other purpose at the time I introduced it.
While I knew where the story needed to go, I wasn’t sure how
Hailey would convince the 1960s’ Peter Wells that she wasn’t some drug-addled
girl who thought she was from the future. Knowledge of historical events that would
happen in his lifetime was a given, but the personal touch of his sister’s
obsession with papering her bedroom evolved all on its own.
I do love it when that happens!
Thank you again, Mary.
I loved your questions!
Thanks for dropping by!
Correlation is available in e-book and paperback formats at the following online retailers:
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Thanks for dropping by!
Correlation is available in e-book and paperback formats at the following online retailers:
Find Correlation on Goodreads: http://www.goodreads.com/book/ show/18297712-correlation
Thanks for having me, Mary! It was fun!
ReplyDeleteI enjoyed reading the interview and looking into your mind. Thank you for giveaway
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ReplyDeletehttp://prbookreviews.blogspot.com/2013/12/liebster-award.html
Congrats!
-Shalyn @ PR Book Reviews