by Kay Kauffman
Today
I’m kickin’ it old school, or at least as close to old school as I can get
these days. The kick-ass sound system of
my youth may be long gone, but the tunes it played remain, albeit in a
different format (goodbye, analog; hello, digital). The friends with whom I used to get together
to hang out, listen to music, and write no longer live just across town, but
great memories and the internet keep us close between visits. Luckily, my trusty mechanical pencil and
college-ruled notebook haven’t left me – life without them would be bleak
indeed.
All
of this, I suppose, is a rambling introduction to a post about writing process
and inspiration. Many a writer is asked
about their process, where their ideas come from, what their work is
about. I always find these questions
particularly hard to answer. For me,
“What does your writing process look like?” and “Where do your ideas come
from?” are two sides of the same coin because for me, the process of writing
starts with the story idea itself (unless, of course, by “process,” you mean
the actual act of writing – in that case, I prefer to handwrite everything in
pencil while curled up in my recliner, then type it up later). And an idea, as we all know, can come from
anywhere.
Take
my novel, The Lokana Chronicles, for
instance. The initial idea for it came
from a story I wrote with a friend back in high school. We’d been inspired by the Disney movie Atlantis and created a (terrible) story
about two girls who were long-lost princesses from the vanished city. They don’t know any of this, of course, so
when they manage to find their way back to the sunken city, they are naturally
quite confused at their seemingly sudden knowledge of the place and its
inhabitants. Though what we’d written
was awful, I really liked the concept of a world within a world and a lost
princess who is ignorant of her heritage, so I put my thinking cap on and set
to work trying to figure out how to use those aspects to create something that
could actually work.
The Lokana Chronicles is the first novel I’ve ever come
close to plotting before I started writing.
Standard practice prior to this had been to fly by the seat of my pants
and give my characters free reign over the story. It was chaotic and fun and reflected my love
of soap operas. With Lokana, plotting helped me avoid
throwing in one convenient plot twist after another just to have things happen.
Someone
once told me that in order to write well, you have to create a detailed
outline. Since there were many subjects
on which he and I disagreed, I suspect that’s why I’ve always been so averse to
plotting. At any rate, I created a
partial synopsis for Lokana to
function as an outline and what a difference it made! It was so much easier to remember where I
wanted the story to go once I had it written down. Now that I’ve stumbled on my synopsizing
idea, I can’t imagine going back to being a complete pantser.
But
when it came time to start a new project, I found myself stuck. It took me seven years to write and revise Lokana; what should I do next? I began to worry that I had finally run out
of ideas, that I would never think of anything else to write. After spending so much time with the
characters in Lokana, I was hesitant
to leave them behind. I’d always
envisioned The Lokana Chronicles as a
stand-alone novel, but surely there were more stories to tell from my wonderful
little world?
I
dusted off my thinking cap again and this time, it took me quite a long time to
finally come up with a workable concept.
Set twenty years after the first book, the sequel follows the next
generation of citizens in Lokana and Arkona.
Some of the characters from the first book appear in the second, but
obviously not all of them can. I’ve been
working on the sequel for six months and I think I’m about half finished with
the writing, but the writing has been going much slower lately than I would
like. The same, sadly, is true of
reading. I need to be better about that;
so much of what I read has an influence on what and how I write (which explains
my constant struggle to show and not tell – I read a lot of classic literature,
stuff that was written when it was much more acceptable to tell things).
But
getting things right is part of the fun, and I like a good challenge. There’s nothing quite as satisfying as the
feeling you get when all the pieces of a well-constructed plot fall perfectly
into place, and that’s one of the many things I love about writing. When things turn out even better than you
ever could have hoped for, it’s nothing short of amazing.
Speaking
of writing, I ought to be getting back to it.
I hear a pitch calling my name.
Connect with Kay Kauffman:
Blog: http://suddenlytheyalldied.com
Facebook: http://www.facebook.com/authorkaykauffman
Twitter: http://www.twitter.com/kaysielynn
Amazon: http://www.amazon.com/author/kaykauffman
Connect with Kay Kauffman:
Blog: http://suddenlytheyalldied.com
Facebook: http://www.facebook.com/authorkaykauffman
Twitter: http://www.twitter.com/kaysielynn
Amazon: http://www.amazon.com/author/kaykauffman
No comments:
Post a Comment