AUTHOR: Ross Harrison
PUBLISHER: Self-Published
AVAILABILITY: Amazon US (Kindle e-book), Amazon UK (Kindle e-book), Smashwords (multiple e-formats)
APPROXIMATE LENGTH: 13,000 words
Recommended for fans of steampunk, dystopia, and post-apocalyptic
science fiction, especially those featuring strong heroines.
GENRE
Science Fiction—Steampunk/Dystopia (novella)
Kira takes place in a
bleak future in which the almighty Government destroys entire towns for dissent,
and those who refuse their rule are forced to scrape for survival in a desert
haunted by mysterious creatures. Like all steampunk, this alternate future is
heavily influenced by Victorian aesthetics—corsets, airships, thick cockney
accents, and the like.
PACE
Fast-paced. This novella is tightly
written and utilizes strong language that keeps the action rocketing forward
even in the lulls between action scenes.
PERSPECTIVE
Third person limited. This story is
told from Kira’s point of view, and the third person narration reflects her
internal thoughts and distinct voice.
CONTENT REVIEW
Kira opens with its
titular main character sprinting through the streets of New Haven, the seat of
a totalitarian government’s power. Hunted by the police and government agents,
Kira uses her own brand of fighting skills to make it back to her town in the
Wastelands, one of the few bastions of freedom in a world where those who
refuse the Government’s control struggle for survival. There, she reports her
discoveries to the town Elders, who lead the ragtag resistance.
Having previously read Harrison’s
novel-length space opera, Shadow of the
Wraith, I could tell immediately that Kira
is a trophy case displaying all his strengths as a writer: heart-pounding
action, detailed world-building, characters that don’t just spring from the
page, they leap out and yell, “’ello there!” in your face. His descriptions,
scattered through the action, subtly paint the world around the story, allowing
one to easily visualize what’s going on. With the smaller canvas of a novella
to work with, Harrison whittles down his writing to showcase only the best,
making each sentence worthwhile and effective.
Kira, a colorful young woman with a
heavy Cockney accent, is the kind of protagonist who’s easy to love. Her
strength and resilience are offset by a touch of insecurity—mentions of her troubled
past make her uncomfortable, and she attempts to transition into proper English
in the presence of a handsome young man and fellow member of the resistance—making
her a realistic and relatable character. Her irreverence and wittiness make her
third person limited narration a delight to read, adding a touch of humor to
this otherwise tragic tale. Also of note is her teenage friend Flip, an odd yet
adorable boy whom Harrison successfully brings to life in only a few paragraphs.
Kira is a tightly written
and fast-paced novella that’s easily read in one session. In a few short
paragraphs, Harrison creates an immersive steampunk universe that’s easy to get
lost in and leaves you craving more. The speculative future he sets up is at
once bleak and scintillating—bleak in its post-apocalyptic setting,
scintillating in its dynamic characters and captivating backdrop. The story is
a perfectly angled snapshot of a vast, multi-faceted world, a wonderfully
packaged stand-alone tale that leaves room for much, much more.
Ross, if you’re reading this, can you
please write a sequel? Or three? Or five?
THE NITPICKY STUFF
This novella is impeccably edited.
There is one scene that takes place in
a bathtub, which involves partial nudity, but nothing sexual.
AUTHOR INFO
[from the author's Amazon.com page] Ross Harrison has been writing since childhood without thought of publication. When the idea was planted by his grandmother to do so, it grew rapidly, and after a bumpy ten years or so, here sits the fruit.
Ross lives on the UK/Eire border in Ireland, hoping the rain will help his hair grow back.
Check out his blog, Like his Facebook page, or Follow him on Twitter.
RELATED: An Interview with Ross Harrison
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